Image Size: 13 x 17 @240 dpi
Cemetery/ Rittenhouse Square/Studio
Camera: Panasonic Lumix G2
Lens: 14-42 ED
Proof: Epson 1430/ Cone Color Inks/ Epson Lustre
This last week I've just wanted to break routine, so I thought I’d risk unleashing some of the other work I’m doing. This is from a series entitled: “You Can’t Go Home Again.” Maybe it has to do with taking my first vacation in ten years, an all-too-brief but fantastic jaunt to Seattle. There is also a kind of psychological shifting of gears that always happens for me as summer gives way to fall.
Without this becoming a statement of purpose, let me say that I often encounter interesting spaces that look like they should be stages for some kind of drama. It must be my theatre background (I did my undergraduate in set design). It’s also an idea that goes back to work I did in drawing and painting in graduate school. So, I sometimes experiment with these vacant spaces and move figures from photo to photo to create compositions that exist solely in my mind's eye.
It surprises me that the artistic validity of creating a synthetic photographic moment is still an object of bitter dispute. Is not any methodology that gets one to the desired ends fair game? In this case, it is the ability of Photoshop (and constant practice!) to meld separate realities together. The figures were captured in Rittenhouse Park, the landscape is a cemetery in West Philadelphia, and the odd figure with the mask is an abundantly talented artist and model named Holiday Noel, photographed in my studio. All were shot with no specific end in mind.